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DOI: 10.15507/VMU.024.201403.200

RUSSIA IN THE FIRST HALF OF THE XIX CENTURY: ROMANTIC CONCEPT OF MUSICAL ARTS

S. A. Isaeva
(head of Folk Music chair of Institute of National and Folk Culture, Ogarev Mordovia State University (Russia, Saransk, 68 Bolshevistskaya Str.), Candidate of Sciences (PhD) degree holder in Culturology, This email address is being protected from spambots. You need JavaScript enabled to view it.)

The article defines cultural factors which affect properties of Russian music and its perception in the first half of the XIX century; presents reconstruction of music perception in Russian esthetic thought the indicated period (A. D. Ulybyshev, M. D. Rezvoy, V. F. Odoyevski, V. P. Botkin, A. P. Serebryansky). The paper examines the problem of the identity of Russian thought about the perception of music, which is coupled with the paradoxical susceptibility to European destinations. The author considers the problem of correlation of romantic-idealistic perception with realistic perception of musical art as elements of human emotions as “language of the soul” capable of expressing “inexplicable”, “incomprehensible”, acquiring a leading role in the process of artistic and intuitive knowledge of the world; highlights the emotional content and effective power of music emphasizes the active role of associations in its perception; develops the idea of the imitative nature of music; determines socially insured conditionality of music.

Keywords: Russian musical art of the XIXth century, music and aesthetic ideas, emotional richness, imitation, social conditionality of music, subjective perception of romantic music.

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